The Importance of Being Earnest
by Oscar Wilde
Directed by Peter Edwards
- Algernon Moncrieff - Philip Hindle
- Jack Worthing - Alan Wilkinson
- Dr. Chasuble - Tom Gillespie
- Lady Bracknell - Dorothy Spencer
- Gwendolen Fairfax - Anna E. Chadwick
- Cecily Cardew - Annabel Deanne
- Miss Prism - Patricia Chadwick
- Lane – Walter Storton
- Merriman - Peter Ashworth
- Footman – Andrew Bean
Pianist - David Eddison
Act One :
The flat of Algernon Moncrieff, Half-Moon Street. W
Act Two : The garden at the Manor House, Woolton.
Act Three: The same, a few minutes later.
Excluding Shakespeare, The Importance of Being Earnest probably ranks as the most famous play in the English language. Its joy lies in the use of language to mirror the aspirations and pretentions of its characters. Each of these characters is inordinately selfish - and even the two butlers offer glimpses of a life outside service. They all express themselves with a surety only seen today in political life.
As an Irish homosexual in nineteenth century society, Oscar Wilde could be described as the classic case of an 'outsider'. It is this quality, allied to his facility with words, that enables him to write such a sharp satire on the manners of his day.
In this production we have tried to treat the play freshly, avoiding the traps of tradition where possible - which, after all, have been described as 'mere slovenliness' by a better authority.
Set Design - James E. Wadsworth
Set Construction - Mark Storton and Team-
Stage Manager - Andrew Bean and Team
Lighting - Huw David
Properties -Gordon Chadwick
Wardrobe -Anne Dunlop
Prompt - Jeniene Dawes
Photography - Mark Storton
Publicity - Heather Jamison
Front of House - Geoffrey Pratt
Our thanks to Burnley Borough Council Recreation and Leisure Services for their assistance.